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Collecting Art Prints
Have a good look around your
home or office, are there pictures on the walls ? If
so, were these purchased new from a high street retailer
or superstore. Were they purchased from an Auction or
Antique shop; or were they given to you as presents.
It is very likely that it will be a mixture of all of
these.
Now think about why you like them - is it because of the subject matter, the
size, the frame, or because they fit into a particular colour scheme, as Interior
Designers would suggest we do. Perhaps you actually dislike certain ones, but
for sentimental reasons cannot be parted from them. The recent success of the
Monet and Klandinsky Exhibitions has proved, people really do love and appreciate
Art.
It must be really wonderful to collect Masterpieces and Original Art. Perhaps
that was part of the attraction to the exhibitions - 'to want what you can't
have'.
Thankfully that is not the case. OK, we may not be able to buy an original
Monet but we could buy new original Artworks. These can be sourced from the
Artists, local Art Societies, Art College Exhibitions, and the Internet.
Art is obviously a very subjective and personal affair, but the fun of collecting
a particular Artist or style is very satisfying and who knows - you may be
collecting a 'Monet' of the future!! Even so, to purchase original Artworks
by professional Artists, is likely to cost well over £250.00 - plus the
cost of framing, if required. So, collecting originals could cost many thousands
of pounds and take a lot of time to complete. Especially when hampered by those
mundane things of life, like the dishwasher needs replacing or the car breaks
down, yet again!Well, there is a way you can
collect Art, which is fun, affordable and may even increase
in value over the years, dependant on your choice of
Artist.
What you do is to collect Prints (which also includes Posters) - but in particular
a category known as Limited Editions.
Limited editions prints are restricted print runs, they are produced to a high
quality and are approved by the artist, who then individually numbers and signs
each one. A certificate of authentification should be supplied as well, and
should remain with the picture when sold on, though this may not always be
the case. For well known Artists; originals and expensive prints a written
provenance may even be available. This is the history of the print from the
time it left the Artist, listing all the owners, dates of sale and any other
relevant facts.
The length of the print run is important, the longer the run - the more copies
are in the market place, therefore reducing the exclusivity of an edition,
which should be reflected in the value.
The Fine Art Trade Guild states that a limited edition should be no more than
1,950 copies, therefore the lower the better!
So, how much do prints cost - well, you can easily start collecting for under £ 50.00,
though this may not include the frame. The price is dependant on the Artist
and the print process used, but you can purchase superb art at very affordable
prices. Thankfully, there is plenty to choose from, below the £200.00
mark. There are the highly sought after collectors prints which can sell for
many thousands of pounds , for example by Artists like Klandinsky or Picasso.
Which proves that prints can be useful investments for the future, if collected
wisely.
Now a print can be produced in a number of ways, and it is important to know
the difference between the various processes, and how these are recognised;
a good magnifying glass, is essential for this purpose. To find out more detailed
information on printmaking, it is worth visiting the library and the Internet,
if you have access. Where there are a few excellent sites that are on-line
galleries like www.art4all.co.uk or visit The Art Trade Guild at www.fineart.co.uk
which gives a full list of framers by area and other web sites.
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So,
how are prints made ?
Relief printing process
This involves cutting away everything which is the
non-printing part of the image, for instance the white
parts of an image, so that the printing surface is raised
above the main body of the wood, metal or linoleum block.
Multiple colours can be used by cutting the block for one
colour, then more is cut away for the next colour, and
so on until the complete picture is built up.
Intaglio printing process
This is the reverse of relief; in that here recesses are created
in the metal block into which the ink is spread for printing,
These grooves are either cut away with hand tools or etched
with acid; and include engravings, etchings, mezzotints, aquatints,
and gravure. Sometimes the edge of the plate leaves an impression
in the paper, around the image. (i.e prints by Bulmer)
Planographic
printing process
This the most common form of printing known as Lithography,
uses the photographic process to capture an image and separate
into individual colours to transfer on to a printing plate.
Dependant on the number of colours in an image depends on
the number of plates used. Very long print runs can be achieved,
for instance for posters. (for example prints by Ashforth)
Stencil
printing process
The image is carried on a mesh screen, with printing areas
being open or 'unblocked' and non-printing areas being filled
over or 'blocked out'. The paper is laid below the carrier
or screen and the ink is forced through the open image areas
onto the paper. The process is repeated with a number of screens
to build up the image and colours. (see prints by Cherep &
Rhodes)
Digital
printing process
This is very much a relatively new process known as Giclée.
An image is created by the artist on a computer or an original
drawing is digitised by scanning with a laser to convert the
image into data. This can be manipulated by the artist and
output via a printing devise directly onto the substrate.
It is a very clean, and fast process, but only ideal for very
short runs; well under a 1000 copies. The Limited Editions
are already being produced this way, although in essence each
one is an original and not a copy.Handcolouring
This is not a printing process but an
enhancement.
Colour can be added by an artist to prints produced by any
of the printing processes by means of handcolouring, using
any medium; i.e.water colour; ink or pastels. (see prints
by Faré )Now, this is only the 'tip of the ice-berg'
- there is a lot more to know about the fascinating world
of collecting art prints.
~ For more detailed information about print process see Printmaking
enquiries@art4all.co.uk
© Art
for All (J.Lilley) 2000
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